Table of Contents
Introduction
The
connection between humans, fairies, and deities
Fairy
Classifications
Humans who
become fairies
Fairies are
nature spirits
Wells,
Springs and Pools
Trees,
Forests, Glens and Plants
Fairies are
animals
Mountains,
Rocks, and Lands
Forces of
nature
House,
Hearth, and Field
Fairies are
the gods of the past
Fairies as
their own class of spirits
Common
fairy traits
Analysisi
of the fairies in fairy tales
Rumpelstiltskin
and Analysis
Briar Rose
Analysis of
Briar Rose
Puss in
Boots
Analysis of
Puss in Boots
The
Spindle, the Shuttle and the Needle
Analysis of The Spindle, the shuttle and the Needle |
Analysis of Rumpelstiltskin
Note: this is a preview which
has been edited and condenced.
Rumpelstiltskin
- Fairy tale
Once
there was a miller who was poor, but who had a beautiful daughter.
Now it
happened that he had to go and speak to the king, and in order to make
himself
appear important he said to him, I have a daughter who can spin straw
into
gold. The king said to the miller, that is an art which
pleases me well,
if your daughter is as clever as you say, bring her to-morrow to my
palace, and
I will put her to the test.
And
when
the girl was brought to him he took her into a room which was quite
full of
straw, gave her a spinning-wheel and a reel, and said, now set to work,
and if
by to-morrow morning early you have not spun this straw into gold
during the
night, you must die. Thereupon he himself locked up the room,
and left
her in it alone. So there sat the poor miller's daughter, and
for the
life of her could not tell what to do, she had no idea how straw could
be spun
into gold, and she grew more and more frightened, until at last she
began to
weep.
But
all
at once the door opened, and in came a little man,
and
said,
good evening, mistress miller, why are you crying so. Alas, answered
the girl,
I have to spin straw into gold, and I do not know how to do it.
What will
you give me, said the manikin, if I do it for you. My
necklace, said the
girl. The little man took the necklace, seated himself in
front of the
wheel, and whirr, whirr, whirr, three turns, and the reel was full,
then he put
another on, and whirr, whirr, whirr, three times round, and the second
was full
too. And so it went on until the morning, when all the straw
was spun,
and all the reels were full of gold.
By
daybreak the king was already there, and when he saw the gold he was
astonished
and delighted, but his heart became only more greedy. He had
the miller's
daughter
taken
into another room full of straw, which was much larger, and commanded
her to
spin that also in one night if she valued her life. The girl
knew not how
to help herself, and was crying, when the door opened again, and the
little man
appeared, and said, what will you give me if I spin that straw into
gold for
you. The ring on my finger, answered the girl. The
little man took
the ring, again began to turn the wheel, and by morning had spun all
the straw
into glittering gold.
The
king
rejoiced beyond measure at the sight, but still he had not gold enough,
and he
had the miller's daughter taken into a still larger room full of straw,
and
said, you must spin this, too, in the course of this night, but if you
succeed,
you shall be my wife.
Even
if
she be a miller's daughter, thought he, I could not
find
a
richer wife in the whole world.
When
the
girl was alone the manikin came again for the third time, and said,
what will
you give me if I spin the straw for you this time also. I
have nothing
left that I could give, answered the girl. Then promise me,
if you should
become queen, to give me your first child. Who knows whether
that will
ever happen, thought the miller's daughter, and, not knowing
how else to
help herself in this strait, she promised the manikin what he wanted,
and for
that he once more spun the straw into gold.
And
when
the king came in the morning, and found all as he had wished, he took
her in
marriage, and the pretty miller's daughter became a queen.
A
year
after, she brought a beautiful child into the world, and she never gave
a
thought to the manikin. But suddenly he came into her room,
and said, now
give me what you promised.
The
queen
was horror-struck, and offered the manikin all the riches of the
kingdom if he
would leave her the child. But the manikin said, no,
something alive is
dearer to me than all the treasures in the world. Then the
queen began to
lament and cry, so that the manikin pitied her. I will give
you three
days, time, said he, if by that time you find out my name, then shall
you keep
your child.
So
the
queen thought the whole night of all the names that she had ever heard,
and she
sent a messenger over the country to inquire, far and wide, for any
other names
that there might be. When the manikin came the next day, she began with
caspar,
melchior, balthazar, and said all the names she knew, one after
another, but to
every one the little man said, that is not my name. On the
second day she
had inquiries made in the neighborhood as to the names of the people
there, and
she repeated to the manikin the most uncommon and curious.
Perhaps your
name is shortribs, or sheepshanks, or laceleg, but he always answered,
that is
not my name.
On
the
third day the messenger came back again, and said, I have not been able
to find
a single new name, but as I came to a high mountain at the end of the
forest,
where the fox and the hare bid each other good night, there I saw a
little
house, and before the house a fire was burning, and round about the
fire quite
a ridiculous little man was jumping, he hopped upon one leg, and
shouted -
to-day
I bake, to-morrow brew,
the
next I'll have the young queen's child.
Ha,
glad am I that no one knew
that
Rumpelstiltskin I am styled.
You
may
imagine how glad the queen was when she heard the name. And
when soon
afterwards the little man came in, and asked, now, mistress queen, what
is my
name, at first she said, is your name Conrad? No.
Is your name
Harry? No. Perhaps your name is Rumpelstiltskin?
The
devil
has told you that! The devil has told you that, cried the
little man, and
in his anger he plunged his right foot so deep into the earth that his
whole
leg went in, and then in rage he pulled at his left leg so hard with
both hands
that he tore himself in two.
Analysis of
“Rumpelstiltskin”
Like
many fairy tales, “Rumpelstiltskin” is a story that
is without a character
which we can define as pure or innocent. Rather, it’s a story
of two obviously
wicked characters in the form of the father who lies to and thus ends
up
getting his daughter in a lot of trouble with the king who is a greedy
man who
cares about nothing but the gold he can get out of the
miller’s daughter. Not
all the characters are wicked, of course. The miller’s
daughter clearly isn’t
evil when she agrees to give a baby to a strange man, just desperate.
She has
been forced into an inescapable predicament by the two men in her life
that she
should be able to trust above anyone else, her father and her future
husband.
Clearly this situation puts her in a space between. She is not yet a
fiancé,
yet she is no longer free in that regard. She is trapped in a prison
but an
honored guest. She is between being a member of her father’s
house, the
executioner, and the king’s household. It is at this moment
when she is
trapped; pulled by so many worlds that the fairy appears.
In many ways Rumpelstiltskin is the most confusing and intriguing part
of this
story. For this
particular “männlein,”
as the German text designates, Rumpelstiltskin, despite outward
appearances, is
neither clear in his goal nor his motivation. On the cusp of it, it
would seem
that he wants the girl’s first-born baby. However, most
fairies in stories
don’t ask for the child they want, instead they simply take
it. Rumpelstiltskin,
however, despite being clearly able to sneak into a prison, being able
to weave
magic doesn’t just take the child as he obviously could. He
tries to get the
girl to accept giving the baby to him. What’s more, even
after he comes to
collect the child, he decides to give her another chance to escape her
agreement with him.
Considering that during the time this story takes place children were
left in
the forests in droves or orphaned on the streets, Rumpelstiltskin could
have
taken hundreds of children easily, and taking them would have been an
act of
kindness as Rumpelstiltskin would have been rescuing them from
starvation. He doesn’t
just want any baby then. What he wants is this particular baby. Indeed,
by his
own words, this baby is more precious to him than all the treasures in
the
world.
We are left then with two questions, the first being, why
doesn’t
Rumpelstiltskin simply take the baby? Secondly, why does
Rumpelstiltskin want
the baby in the first place? To answer these questions, we must examine
what
fairies are as well as a few other fairy tales. Let us begin by placing
Rumpelstiltskin into the possible categories of fairy to see where he
might
fit, or if he even has a place as all fairies don’t
necessarily seem to.
Possibility
1 - Rumpelstiltskin is an ancestor spirit or a forgotten god.
At
first glance this idea may seem preposterous; however, consider that
Merlin was
raised by a fairy as was Malagigi the wizard who aided Charlemagne in
myth.
King Arthur was taken by Merlin who saw his future before he was even
born, and
Lancelot was taken and raised by fairies as well. This might mean then
that
Rumpelstiltskin is after the child because he sees the
child’s future or at
least its potential future. This particular baby is not just that of
the girl’s
after all but also that of a king, and so is the future king just as
King
Arthur was. Thus, Rumpelstiltskin doesn’t just want any baby
he wants to raise,
or have someone else raise a king, while removing the child and future
king
from what is quite possibly a long line of tyrants or, at the very
least, from
his currently greedy father. We see something similar happen in a
French fairy
tale in which a fairy tells the king and queen:
“If I left him (your son) to you to bring up... you would be
certain to make
him as foolish as yourselves. I do not even intend to let him know that
he is
your son.”
So
at least in one incidence a fairy claims to be removing a child from
their
parents to help insure that they are raised properly. While one
can’t always
trust fairies, of course, we must again recall that the fairies
don’t have to
give any explanation. They can just take the child if they want it and
leave. Further,
we must also consider that because Rumpelstiltskin may potentially be
able to
see the future, that he is actually after the child he knows he loves
more than
“all the treasures in the world.” As an ancestor or
deity, he could be the either
the child’s grandfather or seeking a way to help his
decendents by putting a
better king on the throne.
Possibility 2 - Rumpelstiltskin is the spirit of a conquered people or
one of
their gods. In this possibility, Rumpelstiltskin might be after a
mixture of
revenge or is attempting to help his people rise up to their former
glory by
raising the future king of the land. In this he could be a Merlin-like
figure
of a conquered people who, just as Malagigi the wizard of
Charlemagne’s court,
was later derided as a devil by later people. Rumpelstiltskin might be
a hero
to a conquered people still hiding in the woods thus making him an
enemy to the
kingdom.
Possibility 3 - Rumpelstiltskin is a nature spirit or a simply a unique
fairy. It
is more challenging to understand the reason a nature spirit or unique
fairy
would be interested in a specific human child except that perhaps they
are
aware that they do love the child because of divination. Another
possibility
comes to us from the story of Powell in Wales
in which a human king aids
the fairies by slaying an enemy they couldn’t. Thus,
it’s conceivable that a
nature fairy could desire to take a specific child because it knows
that it
loves or could help that child.
Possibility 4 - Rumpelstiltskin is a devil/fallen angel or witch.
Although I’ve
chosen to leave this theory of fairy nature out of this book because it
is a
much later addition to the fairy theory and so ultimately
doesn’t fit within a
book explaining the motivations of fairies in more original traditions,
it is
still conceivable that Rumpelstiltskin is meant by the storytellers to
be a
devil trying to tempt the girl into the sin of giving away her child.
Ultimately, however, while this idea could be workable, after thousands
of
years of Christianizing the people, telling this story would likely
jump on the
opportunity to accuse a creature of being a devil if they thought it
was so.
Through
this simple review we can now see that Rumpelstiltskin is after the
baby for
four possible reasons:
1 - Rumpelstiltskin wants the baby because he knows that he loves him.
2
- He sees the baby’s future and realizes
that it can be a good king finally bringing
peace to the land of his ancestors.
3
- He seeks revenge or a way to protect his fallen people.
4
- He knows he’ll need the baby’s help at some
future date.
To understand which of these answers makes sense, we must find an
answer to the
second question: Why doesn’t Rumpelstiltskin just take the
baby? Again, there
are a number of possible answers which present themselves:
1- Rumpelstiltskin doesn’t simply take the baby in order to
mock the miller’s daughter.
It’s possible, of course, given the capricious nature of
fairies that
Rumpelstiltskin is simply teasing the girl, mocking her as mischievous
fairies
often do. However, if this is the case, why not simply take the child
even if
she is successful in guessing his name?
2- Rumpelstiltskin seeks to lead the miller’s daughter into
sin. The girl is
the only good character in the story. If Rumpelstiltskin can get her to
give
her child to a devil, then he has caused her to sin. The problem with
this
theory, however, is that if his goal is to cause her to sin, why give
her any
chance to redeem herself? Why not simply take the child as per their
first
agreement? Further, why would he suspect the devil of telling the girl
his name
as he accused when she discovered it if doing so would cause him to
lose her
soul? In general, this answer makes no sense so it further eliminates
the
possibility that he is a devil or fallen angel.
3- Rumpelstiltskin has a conflict. Rumpelstiltskin knows what he needs
to do;
he knows that he can make the kingdom better, gain help from the child,
have a
child of his own, etc., but he has a conflict about his method of doing
it. So
he doesn’t simply want to take the child from its mother. He
wants her to
accept the loss. In the end, however, he realizes that this is
impossible and
so he symbolically tears himself in two, ripping his dual nature in
half.
4- Rumpelstiltskin is after something more than the child. In a similar
story,
that of Tim Tom Tat, a little, hairy creature offers to weave for a
girl in
return for her child. In a similar vein, it’s possible that
Rumpelstiltskin is
hoping by giving the girl a second chance to save the baby
he’ll be able to
make her feel so defeated that she agrees to come with him. In this
case, he is
after both the future king and the queen.
5-In another similar story, the Scottish Rumpelstiltskin Whuppity
Stoorie tells
the girl that fairy law requires that she give the girl three days to
guess her
name. This is a confusing requirement as, again, fairies take babies
without
asking all the time. So why do they have to give a person the chance to
get out
of it unless there is something else at play because of the girl or the
child’s
relationship to the fairy world?
It seems most likely, given all the possibilities, that Rumpelstiltskin
gives
the girl a chance to get out of giving him the child because he is in a
conflict about what he’s doing. Recalling also that fairies
can be
multi-natured, we must also consider the possibility that part of him
is
perhaps trying to force the other part of him to allow the girl to keep
the
child because he feels sorry for her. This makes even more sense
considering
what Rumpelstiltskin is. The German version of the
Rumpelstiltskin’s fairy tale
uses the word “männlein” to represent him
as opposed to the word Zwerge
(dwarf) or some other word it could use.
Männleins in fairy tales have a history of helping girls marry
the prince. In
the story of “The Three Männlein of the
Woods” a young girl is sent by her evil
stepmother into the snowy forest to pick strawberries. As she searches
for a
way to complete her impossible task, she stumbles upon a cottage of
three männlein
who, in return for her kindness, make gold coins fall from her mouth
whenever
she speaks, cause her to grow ever more beautiful, and bless her that
she’ll
marry the king. In
other tales, männlein
offer advice to princes, or to young men, in order help them rescue a
kingdom
and save the princesses.
Zwerge, on the other hand, feature promptly in two other stories. These
are “Snow
White” and the “Snow White and Rose Red.”
In one of these stories the Zwerge
while helpful are essentially helpless bystanders as a wicked witch
descends on
the also helpless princess. In other words, the Zwerge are essentially
subject
to fate as much as anyone else. Their home simply seems to be a safe
place to
hide out. In the other story, the Zwerge is the villain though he is
not that
impressive in his abilities as he keeps getting his beard caught in
bushes and
stumps which means that he requires a young girl to rescue him.
Männleins, on the other hand, tend to appear as knowledgeable.
They are the
creators of fate. Rumpelstiltskin himself is so good at spinning he can
spin
straw into gold, spinning ultimately being the activity used to help
control
fate. Rumpelstiltskin was also showed just when the girl needed him and
is also
capable of doing the impossible to help her. So he clearly is able to
manipulate the future. What we must presume then is that, at least to
an extent,
Rumpelstiltskin is attempting to create fate. However, neither his
ability to tell
when someone needs his help nor his ability to do the impossible
prevents him
from giving the girl the chance to get out of having her baby taken
from her. So
obviously he’s in a conflict about what he’s doing.
So it’s likely that like
the other Männlein he is kind and is essentially attempting to
make the world a
better place. However, in doing so he has stepped outside of his usual
role of
helping damsels in distress and princes on quests and is now trying to
steal a
prince from a damsel in distress.
Rumpelstiltskin then is most likely some form of deity or ancestor
spirit
seeking to help his people by raising a king who will actually be good
and a
child which he loves. Unfortunately, in order to do this properly he
must play
the role of a villain, a role at least half of his dual nature is not
comfortable with. This is why he tries at first to give the
miller’s daughter a
chance to keep her baby.
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